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Word Meanings - SUPERCOLUMNIATION - Book Publishers vocabulary database

The putting of one order above another; also, an architectural work produced by this method; as, the putting of the Doric order in the ground story, Ionic above it, and Corinthian or Composite above this.

Related words: (words related to SUPERCOLUMNIATION)

  • PRODUCIBILITY
    The quality or state of being producible. Barrow.
  • GROUNDWORK
    That which forms the foundation or support of anything; the basis; the essential or fundamental part; first principle. Dryden.
  • IONIC
    Pertaining to the Ionic order of architecture, one of the three orders invented by the Greeks, and one of the five recognized by the Italian writers of the sixteenth century. Its distinguishing feature is a capital with spiral volutes. See Illust.
  • GROUNDEN
    p. p. of Grind. Chaucer.
  • STORY-WRITER
    1. One who writes short stories, as for magazines. 2. An historian; a chronicler. "Rathums, the story-writer." 1 Esdr. ii. 17.
  • ANOTHER-GUESS
    Of another sort. It used to go in another-guess manner. Arbuthnot.
  • PUTTYROOT
    An American orchidaceous plant which flowers in early summer. Its slender naked rootstock produces each year a solid corm, filled with exceedingly glutinous matter, which sends up later a single large oval evergreen plaited leaf. Called
  • PRODUCEMENT
    Production.
  • PUTTER-ON
    An instigator. Shak.
  • DORICISM
    A Doric phrase or idiom.
  • GROUNDNUT
    The fruit of the Arachis hypogæa ; the peanut; the earthnut. A leguminous, twining plant , producing clusters of dark purple flowers and having a root tuberous and pleasant to the taste. The dwarf ginseng . Gray. A European plant of the genus
  • STORYBOOK
    A book containing stories, or short narratives, either true or false.
  • METHOD
    Classification; a mode or system of classifying natural objects according to certain common characteristics; as, the method of Theophrastus; the method of Ray; the Linnæan method. Syn. -- Order; system; rule; regularity; way; manner; mode; course;
  • ARCHITECTURAL
    Of or pertaining to the art of building; conformed to the rules of architecture. -- Ar`chi*tec"tur*al*ly, adv.
  • GROUNDLESS
    Without ground or foundation; wanting cause or reason for support; not authorized; false; as, groundless fear; a groundless report or assertion. -- Ground"less*ly, adv. -- Ground"less*ness, n.
  • PUTT
    A stroke made on the putting green to play the ball into a hole.
  • PUTTING GREEN
    The green, or plot of smooth turf, surrounding a hole. "The term putting green shall mean the ground within twenty yards of the hole, excepting hazards." Golf Rules.
  • ABOVEBOARD
    Above the board or table. Hence: in open sight; without trick, concealment, or deception. "Fair and aboveboard." Burke. Note: This expression is said by Johnson to have been borrowed from gamesters, who, when they change their cards, put their hands
  • METHODIZE
    To reduce to method; to dispose in due order; to arrange in a convenient manner; as, to methodize one's work or thoughts. Spectator.
  • COMPOSITE
    Belonging to a certain order which is composed of the Ionic order grafted upon the Corinthian. It is called also the Roman or the Italic order, and is one of the five orders recognized by the Italian writers of the sixteenth century. See Capital.
  • MISGROUND
    To found erroneously. "Misgrounded conceit." Bp. Hall.
  • UNDERGROUND INSURANCE
    Wildcat insurance.
  • PLAYGROUND
    A piece of ground used for recreation; as, the playground of a school.
  • IMBORDER
    To furnish or inclose with a border; to form a border of. Milton.
  • MISORDER
    To order ill; to manage erroneously; to conduct badly. Shak.
  • HISTRIONIC; HISTRIONICAL
    Of or relating to the stage or a stageplayer; befitting a theatre; theatrical; -- sometimes in a bad sense. -- His`tri*on"ic*al*ly, adv. Tainted with false and histrionic feeling. De Quincey.
  • FOREGROUND
    On a painting, and sometimes in a bas-relief, mosaic picture, or the like, that part of the scene represented, which is nearest to the spectator, and therefore occupies the lowest part of the work of art itself. Cf. Distance, n., 6.
  • OVERPRODUCTION
    Excessive production; supply beyond the demand. J. S. Mill.
  • ACCORDER
    One who accords, assents, or concedes.

 

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