Read Ebook: History of the Warfare of Science with Theology in Christendom by White Andrew Dickson

Font size: 10 px 15 px 20 px 25 px 30 px 35 px

Background color: BlackWhiteGrayLight GrayDark GrayDim Gray

Text color: BlackWhiteGrayLight GrayDark GrayDim Gray

Apply/Save settings

Ebook has 2609 lines and 324586 words, and 53 pages

OF THE FIRST VOLUME.

GEOGRAPHY

ASTRONOMY.

FROM "SIGNS AND WONDERS" TO LAW IN THE HEAVENS.

FROM GENESIS TO GEOLOGY.

THE ANTIQUITY OF MAN, EGYPTOLOGY, AND ASSYRIOLOGY.

THE "FALL OF MAN" AND ANTHROPOLOGY.

The two antagonistic views regarding the life of man on the earth The theory of "the Fall" among ancient peoples Inheritance of this view by the Christian Church Appearance among the Greeks and Romans of the theory of a rise of man Its disappearance during the Middle Ages Its development since the seventeenth century The first blow at the doctrine of "the Fall" comes from geology Influence of anthropology on the belief in this doctrine The finding of human skulls in Quaternary deposits Their significance Results obtained from the comparative study of the remains of human handiwork Discovery of human remains in shell-heaps on the shores of the Baltic Sea In peat-beds The lake-dwellers Indications of the upward direction of man's development Mr. Southall's attack on the theory of man's antiquity An answer to it Discovery of prehistoric human remains in Egypt Hamard's attack on the new scientific conclusions The survival of prehistoric implements in religious rites Strength of the argument against the theory of "the Fall of Man"

THE "FALL OF MAN" AND ETHNOLOGY.

The beginnings of the science of Comparative Ethnology Its testimony to the upward tendency of man from low beginning Theological efforts to break its force--De Maistre and DeBonald Whately's attempt The attempt of the Duke of Argyll Evidence of man's upward tendency derived from Comparative Philology From Comparative Literature and Folklore From Comparative Ethnography From Biology

THE "FALL OF MAN" AND HISTORY.

Proof of progress given by the history of art Proofs from general history Development of civilization even under unfavourable circumstances Advancement even through catastrophes and the decay of civilizations Progress not confined to man's material condition Theological struggle against the new scientific view Persecution of Prof. Winchell Of Dr. Woodrow Other interferences with freedom of teaching The great harm thus done to religion Rise of a better spirit The service rendered to religion by Anthropology

FROM "THE PRINCE OF THE POWER OF THE AIR" TO METEOROLOGY.

FROM MAGIC TO CHEMISTRY AND PHYSICS.

FROM MIRACLES TO MEDICINE.

FROM FETICH TO HYGIENE.

FROM "DEMONIACAL POSSESSION" TO INSANITY.

FROM DIABOLISM TO HYSTERIA.

FROM BABEL TO COMPARATIVE PHILOLOGY.

FROM LEVITICUS TO POLITICAL ECONOMY

FROM THE DIVINE ORACLES TO THE HIGHER CRITICISM.

Change wrought by it in the conception of a sacred literature

Among those masses of cathedral sculpture which preserve so much of medieval theology, one frequently recurring group is noteworthy for its presentment of a time-honoured doctrine regarding the origin of the universe.

The Almighty, in human form, sits benignly, making the sun, moon, and stars, and hanging them from the solid firmament which supports the "heaven above" and overarches the "earth beneath."

The furrows of thought on the Creator's brow show that in this work he is obliged to contrive; the knotted muscles upon his arms show that he is obliged to toil; naturally, then, the sculptors and painters of the medieval and early modern period frequently represented him as the writers whose conceptions they embodied had done--as, on the seventh day, weary after thought and toil, enjoying well-earned repose and the plaudits of the hosts of heaven.

In these thought-fossils of the cathedrals, and in other revelations of the same idea through sculpture, painting, glass-staining, mosaic work, and engraving, during the Middle Ages and the two centuries following, culminated a belief which had been developed through thousands of years, and which has determined the world's thought until our own time.

Its beginnings lie far back in human history; we find them among the early records of nearly all the great civilizations, and they hold a most prominent place in the various sacred books of the world. In nearly all of them is revealed the conception of a Creator of whom man is an imperfect image, and who literally and directly created the visible universe with his hands and fingers.

Among these theories, of especial interest to us are those which controlled theological thought in Chaldea. The Assyrian inscriptions which have been recently recovered and given to the English-speaking peoples by Layard, George Smith, Sayce, and others, show that in the ancient religions of Chaldea and Babylonia there was elaborated a narrative of the creation which, in its most important features, must have been the source of that in our own sacred books. It has now become perfectly clear that from the same sources which inspired the accounts of the creation of the universe among the Chaldeo-Babylonian, the Assyrian, the Phoenician, and other ancient civilizations came the ideas which hold so prominent a place in the sacred books of the Hebrews. In the two accounts imperfectly fused together in Genesis, and also in the account of which we have indications in the book of Job and in the Proverbs, there, is presented, often with the greatest sublimity, the same early conception of the Creator and of the creation--the conception, so natural in the childhood of civilization, of a Creator who is an enlarged human being working literally with his own hands, and of a creation which is "the work of his fingers." To supplement this view there was developed the belief in this Creator as one who, having

... "from his ample palm Launched forth the rolling planets into space."

sits on high, enthroned "upon the circle of the heavens," perpetually controlling and directing them.

From this idea of creation was evolved in time a somewhat nobler view. Ancient thinkers, and especially, as is now found, in Egypt, suggested that the main agency in creation was not the hands and fingers of the Creator, but his VOICE. Hence was mingled with the earlier, cruder belief regarding the origin of the earth and heavenly bodies by the Almighty the more impressive idea that "he spake and they were made"--that they were brought into existence by his WORD.

Among the many mediaeval representations of the creation of the universe, I especially recall from personal observation those sculptured above the portals of the cathedrals of Freiburg and Upsala, the paintings on the walls of the Campo Santo at Pisa, and most striking of all, the mosaics of the Cathedral of Monreale and those in the Capella Palatina at Palermo. Among peculiarities showing the simplicity of the earlier conception the representation of the response of the Almighty on the seventh day is very striking. He is shown as seated in almost the exact attitude of the "Weary Mercury" of classic sculpture--bent, and with a very marked expression of fatigue upon his countenance and in the whole disposition of his body.

The Monreale mosaics are pictured in the great work of Gravina, and in the Pisa frescoes in Didron's Iconographie, Paris, 1843, p. 598. For an exact statement of the resemblances which have settled the question among the most eminent scholars in favour of the derivation of the Hebrew cosmogony from that of Assyria, see Jensen, Die Kosmologie der Babylonier, Strassburg, 1890, pp. 304,306; also Franz Lukas, Die Grundbegriffe in den Kosmographien der alten Volker, Leipsic, 1893, pp. 35-46; also George Smith's Chaldean Genesis, especially the German translation with additions by Delitzsch, Leipsic, 1876, and Schrader, Die Keilinschriften und das Alte Testament, Giessen, 1883, pp. 1-54, etc. See also Renan, Histoire du peuple d'Israel, vol. i, chap i, L'antique influence babylonienne. For Egyptian views regarding creation, and especially for the transition from the idea of creation by the hands and fingers of the Creator to creation by his VOICE and his "word," see Maspero and Sayce, The Dawn of Civilization, pp. 145-146.

Among the early fathers of the Church this general view of creation became fundamental; they impressed upon Christendom more and more strongly the belief that the universe was created in a perfectly literal sense by the hands or voice of God. Here and there sundry theologians of larger mind attempted to give a more spiritual view regarding some parts of the creative work, and of these were St. Gregory of Nyssa and St. Augustine. Ready as they were to accept the literal text of Scripture, they revolted against the conception of an actual creation of the universe by the hands and fingers of a Supreme Being, and in this they were followed by Bede and a few others; but the more material conceptions prevailed, and we find these taking shape not only in the sculptures and mosaics and stained glass of cathedrals, and in the illuminations of missals and psalters, but later, at the close of the Middle Ages, in the pictured Bibles and in general literature.

Into the Anglo-Saxon mind this ancient material conception of the creation was riveted by two poets whose works appealed especially to the deeper religious feelings. In the seventh century Caedmon paraphrased the account given in Genesis, bringing out this material conception in the most literal form; and a thousand years later Milton developed out of the various statements in the Old Testament, mingled with a theology regarding "the creative Word" which had been drawn from the New, his description of the creation by the second person in the Trinity, than which nothing could be more literal and material:

"He took the golden compasses, prepared In God's eternal store, to circumscribe This universe and all created things. One foot he centred, and the other turned Round through the vast profundity obscure, And said, 'Thus far extend, thus far thy bounds: This be thy just circumference, O world!'"

For Gregory of Nyssa, Augustine, and the general subject of the development of an evolution theory among the Greeks, see the excellent work by Dr. Osborn, From the Greeks to Darwin, pp.33 and following; for Caedmon, see any edition--I have used Bouterwek's, Gutersloh, 1854; for Milton, see Paradise Lost, book vii, lines 225-231.

So much for the orthodox view of the MANNER of creation.

The next point developed in this theologic evolution had reference to the MATTER of which the universe was made, and it was decided by an overwhelming majority that no material substance existed before the creation of the material universe--that "God created everything out of nothing." Some venturesome thinkers, basing their reasoning upon the first verses of Genesis, hinted at a different view--namely, that the mass, "without form and void," existed before the universe; but this doctrine was soon swept out of sight. The vast majority of the fathers were explicit on this point. Tertullian especially was very severe against those who took any other view than that generally accepted as orthodox: he declared that, if there had been any pre-existing matter out of which the world was formed, Scripture would have mentioned it; that by not mentioning it God has given us a clear proof that there was no such thing; and, after a manner not unknown in other theological controversies, he threatens Hermogenes, who takes the opposite view, with the woe which impends on all who add to or take away from the written word.

St. Augustine, who showed signs of a belief in a pre-existence of matter, made his peace with the prevailing belief by the simple reasoning that, "although the world has been made of some material, that very same material must have been made out of nothing."

Having thus disposed of the manner and matter of creation, the next subject taken up by theologians was the TIME required for the great work.

Here came a difficulty. The first of the two accounts given in Genesis extended the creative operation through six days, each of an evening and a morning, with much explicit detail regarding the progress made in each. But the second account spoke of "THE DAY" in which "the Lord God made the earth and the heavens." The explicitness of the first account and its naturalness to the minds of the great mass of early theologians gave it at first a decided advantage; but Jewish thinkers, like Philo, and Christian thinkers, like Origen, forming higher conceptions of the Creator and his work, were not content with this, and by them was launched upon the troubled sea of Christian theology the idea that the creation was instantaneous, this idea being strengthened not only by the second of the Genesis legends, but by the great text, "He spake, and it was done; he commanded, and it stood fast"--or, as it appears in the Vulgate and in most translations, "He spake, and they were made; he commanded, and they were created."

As a result, it began to be held that the safe and proper course was to believe literally BOTH statements; that in some mysterious manner God created the universe in six days, and yet brought it all into existence in a moment. In spite of the outcries of sundry great theologians, like Ephrem Syrus, that the universe was created in exactly six days of twenty-four hours each, this compromise was promoted by St. Athanasius and St. Basil in the East, and by St. Augustine and St. Hilary in the West.

Serious difficulties were found in reconciling these two views, which to the natural mind seem absolutely contradictory; but by ingenious manipulation of texts, by dexterous play upon phrases, and by the abundant use of metaphysics to dissolve away facts, a reconciliation was effected, and men came at least to believe that they believed in a creation of the universe instantaneous and at the same time extended through six days.

For Origen, see his Contra Celsum, cap xxxvi, xxxvii; also his De Principibus, cap. v; for St. Augustine, see his De Genesi conta Manichaeos and De Genesi ad Litteram, passim; for Athanasius, see his Discourses against the Arians, ii, 48,49.

Some of the efforts to reconcile these two accounts were so fruitful as to deserve especial record. The fathers, Eastern and Western, developed out of the double account in Genesis, and the indications in the Psalms, the Proverbs, and the book of Job, a vast mass of sacred science bearing upon this point. As regards the whole work of creation, stress was laid upon certain occult powers in numerals. Philo Judaeus, while believing in an instantaneous creation, had also declared that the world was created in six days because "of all numbers six is the most productive"; he had explained the creation of the heavenly bodies on the fourth day by "the harmony of the number four"; of the animals on the fifth day by the five senses; of man on the sixth day by the same virtues in the number six which had caused it to be set as a limit to the creative work; and, greatest of all, the rest on the seventh day by the vast mass of mysterious virtues in the number seven.

St. Jerome held that the reason why God did not pronounce the work of the second day "good" is to be found in the fact that there is something essentially evil in the number two, and this was echoed centuries afterward, afar off in Britain, by Bede.

St. Augustine brought this view to bear upon the Church in the following statement: "There are three classes of numbers--the more than perfect, the perfect, and the less than perfect, according as the sum of them is greater than, equal to, or less than the original number. Six is the first perfect number: wherefore we must not say that six is a perfect number because God finished all his works in six days, but that God finished all his works in six days because six is a perfect number."

Reasoning of this sort echoed along through the mediaeval Church until a year after the discovery of America, when the Nuremberg Chronicle re-echoed it as follows: "The creation of things is explained by the number six, the parts of which, one, two, and three, assume the form of a triangle."

This view of the creation of the universe as instantaneous and also as in six days, each made up of an evening and a morning, became virtually universal. Peter Lombard and Hugo of St. Victor, authorities of vast weight, gave it their sanction in the twelfth century, and impressed it for ages upon the mind of the Church.

Both these lines of speculation--as to the creation of everything out of nothing, and the reconciling of the instantaneous creation of the universe with its creation in six days--were still further developed by other great thinkers of the Middle Ages.

Share on: WhatsApp @Hash Facebook Tweet