Practice and improve writing style.
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“Still they could move a little up and down,” said the Medical Man.
Filby became pensive. “Clearly,” the Time Traveller proceeded, “any real body must have extension in four directions: it must have Length, Breadth, Thickness, and—Duration. But through a natural infirmity of the flesh, which I will explain to you in a moment, we incline to overlook this fact. There are really four dimensions, three which we call the three planes of Space, and a fourth, Time. There is, however, a tendency to draw an unreal distinction between the former three dimensions and the latter, because it happens that our consciousness moves intermittently in one direction along the latter from the beginning to the end of our lives.”
“That day, too, I made a friend—of a sort. It happened that, as I was watching some of the little people bathing in a shallow, one of them was seized with cramp and began drifting downstream. The main current ran rather swiftly, but not too strongly for even a moderate swimmer. It will give you an idea, therefore, of the strange deficiency in these creatures, when I tell you that none made the slightest attempt to rescue the weakly crying little thing which was drowning before their eyes. When I realised this, I hurriedly slipped off my clothes, and, wading in at a point lower down, I caught the poor mite and drew her safe to land. A little rubbing of the limbs soon brought her round, and I had the satisfaction of seeing she was all right before I left her. I had got to such a low estimate of her kind that I did not expect any gratitude from her. In that, however, I was wrong.
The Time Traveller looked at us, and then at the mechanism. “Well?” said the Psychologist.
“I saw the heads of two orange-clad people coming through the bushes and under some blossom-covered apple-trees towards me. I turned smiling to them, and beckoned them to me. They came, and then, pointing to the bronze pedestal, I tried to intimate my wish to open it. But at my first gesture towards this they behaved very oddly. I don’t know how to convey their expression to you. Suppose you were to use a grossly improper gesture to a delicate-minded woman—it is how she would look. They went off as if they had received the last possible insult. I tried a sweet-looking little chap in white next, with exactly the same result. Somehow, his manner made me feel ashamed of myself. But, as you know, I wanted the Time Machine, and I tried him once more. As he turned off, like the others, my temper got the better of me. In three strides I was after him, had him by the loose part of his robe round the neck, and began dragging him towards the sphinx. Then I saw the horror and repugnance of his face, and all of a sudden I let him go.
I immediately turned the key in the outer one. I sat down again; sat for a time in a kind of stagnant mood, so weary, emotionally, mentally, and physically, that I could not think beyond the point at which he had left me. The black window stared at me like an eye. At last with an effort I put out the light and got into the hammock. Very soon I was asleep.
I picked up the hatchets and swung them by their heads from the sling of my arm; turned Montgomery over; picked up his revolver still loaded in two chambers, and bending down to rummage, found half-a-dozen cartridges in his pocket.
He was on the point of beginning, and then shook his head, doubtfully.
“All right,” said he. “I’m frightfully busy.” And he shut the door.
Montgomery came round behind me and put his hand on my shoulder. “Look here, Prendick,” he said, “I had no business to let you drift out into this silly island of ours. But it’s not so bad as you feel, man. Your nerves are worked to rags. Let me give you something that will make you sleep. That—will keep on for hours yet. You must simply get to sleep, or I won’t answer for it.”
“I’d go in and ask’n ’bout it,” said Wadgers, to Mr. Hall. “I’d d’mand an explanation.”
But it was the best part of two hours before any human being ventured out again into the desolation of Iping street.
“Yes, the tapetum. It didn’t go. After I’d given the stuff to bleach the blood and done certain other things to her, I gave the beast opium, and put her and the pillow she was sleeping on, on the apparatus. And after all the rest had faded and vanished, there remained two little ghosts of her eyes.”
“Now you have me! And all that I knew and had in mind a year after I left London—six years ago. But I kept it to myself. I had to do my work under frightful disadvantages. Oliver, my professor, was a scientific bounder, a journalist by instinct, a thief of ideas—he was always prying! And you know the knavish system of the scientific world. I simply would not publish, and let him share my credit. I went on working; I got nearer and nearer making my formula into an experiment, a reality. I told no living soul, because I meant to flash my work upon the world with crushing effect and become famous at a blow. I took up the question of pigments to fill up certain gaps. And suddenly, not by design but by accident, I made a discovery in physiology.”
And inside, in the artificial darkness of the parlour, into which only one thin jet of sunlight penetrated, the stranger, hungry we must suppose, and fearful, hidden in his uncomfortable hot wrappings, pored through his dark glasses upon his paper or chinked his dirty little bottles, and occasionally swore savagely at the boys, audible if invisible, outside the windows. In the corner by the fireplace lay the fragments of half a dozen smashed bottles, and a pungent twang of chlorine tainted the air. So much we know from what was heard at the time and from what was subsequently seen in the room.